Autobiography
Early Life
I was born in 1969 in Eugene, Oregon, and grew up on a farm south of town surrounded by big Douglas Fir trees. My parents still live there.
My idyllic life of horseback riding, building forts and messing
around in the creek was darkened only by daily mandolin practice. Music, especially old-time, has been a part of my life since the beginning.
In 1992, after earning a Bachelor of Arts Degree in Philosophy from Oberlin College, in Ohio, LauraRose and I moved back to my hometown where I started my own business doing residential carpentry.
Work Life
I have always worked. As a kid it was either on our farm, or helping out a neighbor with chores or a fence. During college I worked for the campus food service sytem, painted houses, dug ditches and cleaned fish tanks. I illustrated the Stages of Embryonic Development of the Zebrafish for Charles Kimmel (my father and professor of Developmetal Biology at the University of Oregon), which is still used by researchers today.
By 1996 I was working as a general contractor with some of the best trade folks in the country. I did many jobs--both remodels and new construction-- featuring salvaged materials. Building led to design and consultation, as well as cabinetry and furniture work. I still occasionally get involved with construction of projects for our tiny universe. We built Rose Cottage in 2013 as a story-book like fiber arts studio for LauraRose, and I just re-roofed the shop in May, 2020.
On a lark, in 2006, I decided to build a bass violin for myself. By January 2007 I had a really good sounding bass. Some extra wood and a desire to do a bit better led to the next one, and the next. Now I am working through the 60s. Six have received awards for their exceptional tone. I have also built 5 'cellos and a fiddle, a dozen or more banjos for my old-timey music friends, and a few guitars based on a 1928 O-21 Martin which I got a good deal on from my Uncle Dick Kimmel a few years back.
Influences
I build the basses full time in a small shop which I built behind my home in my contracting days in order to have a place from which to work on our own home as well as my other construction projects Being able to work at home and using so much salvaged and US produced material is a real joy.
I play a bass of my own, #2, named Betty, around town in an old-jazz/old-pop/old-time/originals project called Butterchuck; the funky duo, Dirty Spoon; and I occasionally sit in with the Old-Timey dance band The Barnstormers for square dances.
Growing up in the Pacific Northwest means I was surrounded by natural beauty from the Pacific Coast to the giant trees of the Cascade Range, as well as a bunch of old hippies and beatniks. One of the things that bothered me about construction was the intense resource use. Building basses gives me a chance to treat each piece of wood as the precious commodity that it is. Though I do still create huge piles of chips that end up on our garden beds.
One of the hippies was potter and environmental activist Lynn Bowers who lived across the road from my parents until her untimely death in 2018. I studied ceramics with her for several years after college. Lynn's understanding of line, form /function, and production/art rooted in the Bauhaus tradition, has been invaluable for every endeavor to which I put my hands.
Meeting LauraRose got me interested in historic preservation, as she grew up in an early 19th Century stone farmhouse in south-western Pennsylvania, Both she and her parents are big restoration buffs as a consequence. When we decided to buy a home in 1996, we were overjoyed to find a small historic home in The East Skinner Butte Historic District which is the heart of the original plat of downtown Eugene. It is only a few blocks from the (also historic) train station, the river and Alton Baker Park, which is a huge, rambling thing of a park. We love having the opportunity to travel and meander without ever getting in the car. Balancing historic traditions with modern needs is at the core of my aesthetic in both architectural and double bass design
I am very grateful for the huge support, input, and positive recognition that luthiers, bassists, my family, friends and community have given me. Of course, I couldn't have done any of it without the seemingly endless encouragement of my trusted side-kick, best friend, beloved wife, and Director of I.T., Communications and Marketing for Seth Kimmel Bass: LauraRose Hisrich.
